Creative project using "skirt" technology. Creative project on the theme "high-waisted skirt" Project on the theme pencil skirt
Preview:
Comprehensive school"
Creative project
on the topic of:
Petrova Regina
Arsk 2011
11.Quality control.
12.Manufacture of the product.
13. Correction.
14. Control, testing.
16.Project design.
17.Self-esteem.
The history of the skirt.
| |
Development of ideas, options.
Analysis of ideas and selection of the optimal option.
Development of ideas, options.
Choosing a skirt style.
Analysis of ideas and selection of the optimal option.
Types of fabrics.
A. Fabric selection.
1) Sewing machine
Sequence of product manufacturing.
6) Processing of side cuts.
Half waist circumference - 32.
Half hip circumference - 41.
Back length to waist-34.
Skirt length-47.
1.TB=Dts:2=34:2=17.
TN=Di=47 cm.
2.BB¹=Sb+Pb-
41+3 cm.=44 cm.
TT¹=BB¹=NN¹.
3.BB²=Sat:2=
41:2=20.5 cm.
4.Н²O=Т²H²+1 cm.
5.S=(Sat+Pb)-
(ST+PT)=
(41+3)-(32+1)=11 cm.
Т³Т4=S:2=11:2=5.5 cm.
7.T5T6=S:3=11:3=3.6 cm.
Т7Т8=S:6=11:6=1.8 cm.
B6=B³+2 cm.
B5=B2+1 cm.
B7=6+4 cm.
Economic justification.
Calculation of the cost of a skirt.
n\n | Name used materials | Price (rub.) | Material consumption per product | Expenses for materials (rub.) |
Wool fabric | 250 rub. (1m) | 80 cm (1.5 m fabric width) | 200 rub. |
|
Zipper | 15 rub. (1 PC.) | 1 PC. | 15 rub. |
|
Sewing threads | 10 rub. (1 cat.) | 1 reel | 10 rub. |
|
Total: | 225 rub. |
Quality control.
Manufacturing of the product.
higher.
Correction.
you, then I’ll correct them.
Control, testing.
I'm spinning in front of the mirror.
Are you going to the club?
With winter optionlacking decor
We are waiting for you in the salon"Jasmine"
Project design.
Self-esteem.
Preview:
Municipal educational institution "Razezd Korsinskaya main"
Comprehensive school"
Creative project
on the topic of:
Developed by: 6th grade student Petrova Regina
Checked by: technology teacher
Khairutdinova Rosa Ildusovna
Arsk 2011
P sequence of project execution.
1. Justification of the problem and needs that have arisen.
2. Definition of a specific task and its formulation.
3.Identification of main parameters and limitations.
4. Research, identification of traditions, history, trends.
5. Drawing up a “thinking scheme”.
6.Development of ideas, options.
8. Selection of fabric, tools, devices, equipment.
10. Economic justification.
11.Quality control.
12.Manufacture of the product.
13. Correction.
14. Control, testing.
16.Project design.
17.Self-esteem.
Justification of the problem and need that has arisen.
A stain appeared on my old skirt, and I decided to sew a new one, besides, we learn how to sew a skirt in technology lessons.
Definition of a specific task and its formulation.
When I substantiated the problem and need that had arisen, I immediately understood: my task was to start sewing a skirt.
Identifying key parameters and limitations.
What requirements, of course taking into account my wishes, do I make for my future product?
The skirt should be beautiful, comfortable and meet modern fashion.
The design of the skirt must match the chosen model.
The future update should fit well on the figure.
Any defects that arise must be eliminated while working on the item.
The skirt needs to have a classic style and can be worn with a smart blouse or jacket.
The product must have low cost and be of high quality.
Research, identification of traditions, history, trends.
With the onset of autumn, the number of girls in skirts on the streets decreases sharply. First, skirts become longer and longer, and then disappear almost completely: their place is taken by girls’ “true friends” - trousers and jeans. And your favorite skirt ends up being thrown away into the closet - until next summer, a suitable event, or forever. Unfair, but natural.
Buying two or three skirts “in one sitting” for a woman today is almost a feat. But trousers and (or) jeans are a completely different matter. Sellers of women's clothing state that recently women come to the store not for any specific item, but to “buy something they like.” And for some reason they “like” skirts less and less. Among the colorful and bright heap of women's clothing, constantly offering new shapes and textures, it is sometimes difficult to single out the lifesaver of a woman's wardrobe - the skirt. Hands are drawn to everything shiny, bright and interesting. We think about a skirt only in hot weather, when going on a date or deciding to show off a new pair of shoes to our friends, which will be completely invisible under trousers.
And so I decided to sew myself a skirt.
The history of the skirt.
The history of fashion is a topic in which one can trace a certain time line. We present a timeline with rather unusual content - this is the history of a woman's skirt. In ancient times, ladies considered it the height of indecency if the skirt did not cover the toes of the shoes.
Times have changed and today the length of a skirt is a rather democratic thing and depends solely on the taste of the fair sex.
For thousands of years, people saw no need to separate men's and women's clothing. In the emerging civilizations, a kind of skirt - a loincloth, an apron - had almost no differences in gender, age and position. But the evolution of everyday life, moral, aesthetic, ethical and religious ideas have changed clothing.
Among young men of ancient civilizations it remained short, among noble men it lengthened. Women's clothing became more closed and featured a long skirt.
In the 16th century, Spain became the capital of fashion - it was she who established what kind of skirts noble people should wear. This time is characterized by the immense width of skirts, which became so heavy that ladies simply could not lift them. Then a frame made of hoops was invented. Covered with brocade and decorated with jewels, such skirts were very expensive. The skirt of those times was a whole structure; having installed it on the floor, they simply “entered” it, and then fastened it to the corset.
Then the dome-shaped skirt became fashionable. By the middle of the last century, the skirt had already become somewhat simpler. The metal frame was replaced by a crinoline: a linen cover woven with horsehair, which was soon replaced by a wire frame. By the end of the 19th century, the skirt had already become an independent waist product. However, what all these skirts had in common was that they completely covered the legs.
The democratization of life has softened the view of fashion. In 1911, French couturier Paul Poiret released the first model of a culotte skirt, for which he was anathematized.
Further, a significant time in the history of the skirt was the 1920s, when the Charleston skirt came into fashion. Its main advantage was the hem. It was deliberately made uneven to visually create the impression that the length of the skirt was below the knee. Actually while dancing
the legs were exposed up to the thighs.
In the late 1930s, designer Cristobal Balenciaga created the balloon dress, which was reinterpreted as the balloon skirt in the 1980s. The flower skirt was created by the famous designer Christian Dior. They were incredibly lush and fell below the knees.
The year 1964 went down in skirt history thanks to the English designer Mary Quant, who offered the women of the world a new style of skirt - the mini, and this was a real revolution in the fashion world. According to legend, she once found her friend Linda Quaisin while cleaning her apartment, wearing an old skirt cut off with scissors so that the long hem would not interfere with her work. Since then, the length of the new skirts in Mary's store has decreased by several centimeters every month. In the first year, more than 200 thousand English miniskirts were sold in France alone. The fashion designer was awarded the Order for Economic Merit by Queen Elizabeth II of England. It is believed that the Queen was grateful to Mary for the sharp increase in the birth rate in Britain as a result of the appearance of the mini.
Thus, in the 60s, a complete collection of various skirt models was formed, variations of which are also used by today's fashion designers. The length of the skirts varies from just above the ankle to just below the waist.
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Drawing up a “thinking scheme”
Development of ideas, options.
Model No. 1. The skirt is straight, narrow in shape. There are two darts on the front and back panels. Zipper fastening in the left side seam. The upper section of the skirt is finished with a stitched belt.
Model No. 2. Half-sun skirt. Zip fastening in the left side seam. The upper section of the skirt is finished with a stitched belt.
Model No. 3. The skirt is straight and tapered. There are two darts on the front and back panels. Tape fastening with zipper in the left side seam. The upper section of the skirt is finished with facing.
Model No. 4. .The skirt is straight, narrow in shape. There are patch pockets on the front and back panels. Tape fastening with zipper in the left side seam. There are two darts on the front and back panels.
Model No. 5. One-year skirt, straight shape. It consists of 6 wedges. .Zip fastening in the left side seam. The upper section of the skirt is finished with a stitched belt.
Analysis of ideas and selection of the optimal option.
I chose model No. 1.
Development of ideas, options.
Choosing a skirt style.
Fashion makes a skirt whatever it wants: inserts a crinoline, makes it a balloon, flared, bell, godet, pleated, princess, tulip, mermaid, flower, college, T-shirt, yoke skirt, with waves and, finally, a culotte skirt .
Analysis of ideas and selection of the optimal option.
I chose a straight-cut skirt.
Selection of fabric, tools, devices, equipment.
Types of fabrics.
1) Worsted fabrics - luxurious, compact, shiny: twill, gabardine, twill, ottoman, thin Venetian wool, small bird's eye patterns.
2) Compact soft fabrics with a base - cloth, flannel, thin fabrics made of Saxon wool, castor, velvet.
3) Silk dense fabrics: faille, grosgrain, double-sided satin, georgette, pique.
4) Thin and smooth fabrics made of cotton and linen: twills made from high-twist yarn, thin satins.
5) Dry and compact summer wool: wool crepe, crisp twill. Plastic and duplicated fabrics: rayon and triacetate faille, summer satins with a sparse structure.
6) Luxurious silk fabrics: grosgrain, damask, jacquard fabrics with tapestry patterns, brocade, corduroy, shantung.
7) Refined classics: denim, cotton twill, plain weaves, gabardine, jersey fabrics, silk poplin, satin, ottoman
8) Fabrics with handmade finishes: printed designs, embroidery, structured yarns, checks and stripes, needle lace and needle-punched effects.
9) Soft and warm woolen fabrics: shetland, fleecy tweed, fleece, thin felt, low-count yarns.
10) Winter cotton: corduroy, corduroy, pile fabrics, moleskine, chenille.
A. Fabric selection.
Since it’s winter outside, I decided to sew the skirt from fabric with added wool.
B. Selection of tools, devices and equipment
1) Sewing machine
2) Ironing board, iron, spray bottle.
3) Hand needle No. 3, pins, scissors, thimble.
4) Cotton threads No. 50 - for machine work, No. 60 - for hand work.
5) Measuring tape, ruler, chalk.
6) Textbook, workbook, album sheets. Additional materials: paper for drawing and making patterns, fashion magazines.
Sequence of product manufacturing.
1) Taking measurements and drawing a drawing of the skirt.
2) Modeling a skirt according to the main drawing of a straight skirt.
3) Preparing the fabric for cutting and cutting the skirt.
4) Preparing the skirt parts for basting and the skirt for fitting.
5) First fitting of the skirt, correction of any defects.
6) Processing of side cuts.
7) Process the fastener in the left side seam and the skirt with braid.
8) Processing of the belt, the upper section of the skirt with a stitched belt.
9) Finish the bottom edge of the skirt with a closed hem stitch.
10) Final fitting of the skirt.
Taking measurements and drawing a skirt drawing.
Half waist circumference - 32.
Half hip circumference - 41.
Back length to waist-34.
Skirt length-47.
1.TB=Dts:2=34:2=17.
TN=Di=47 cm.
2.BB¹=Sb+Pb-
41+3 cm.=44 cm.
TT¹=BB¹=NN¹.
3.BB²=Sat:2=
41:2=20.5 cm.
4.Н²O=Т²H²+1 cm.
5.S=(Sat+Pb)-
(ST+PT)=
(41+3)-(32+1)=11 cm.
Т³Т4=S:2=11:2=5.5 cm.
6.BB³=B¹B4=0.2·Sb=41·0.2=8.2.
7.T5T6=S:3=11:3=3.6 cm.
Т7Т8=S:6=11:6=1.8 cm.
B6=B³+2 cm.
B5=B2+1 cm.
B7=6+4 cm.
Economic justification.
In the table I presented the calculation of the cost of the skirt.
Calculation of the cost of a skirt.
n\n | Name used materials | Price (rub.) | Material consumption per product | Expenses for materials (rub.) |
Wool fabric | 250 rub. (1m) | 80 cm (1.5 m fabric width) | 200 rub. |
|
Zipper | 15 rub. (1 PC.) | 1 PC. | 15 rub. |
|
Sewing threads | 10 rub. (1 cat.) | 1 reel | 10 rub. |
|
Total: | 225 rub. |
Quality control.
The teacher spoke during technology lessons about the basic
criteria for checking and assessing the quality of the project. I post-
I dare to be self-critical and resort to self-control.
Manufacturing of the product.
I will make the skirt in the sequence given
higher.
Correction.
I’ll go back to points 3 and 6. I’ll compare my completed project
with the one that was conceived and drawn. If there is something wrong -
you, then I’ll correct them.
Control, testing.
The last stitch is done. I'm very happy. I'm smiling
I'm spinning in front of the mirror.
At school, the teacher praised me for the work done neatly and beautifully.
Need a skirt for business meetings- Please. The classic style is perfect for this.
Are you going to the club?The skirt can be decorated with shiny decor or metal fasteners.
Wanted to buy a skirt for going out?- no problem. Light fabrics, interesting styles with uneven edges, a large number of petticoats, sequins and openwork inserts.
With winter optionThere are no problems either. In our wardrobe assortment you can always find a corduroy or woolen skirt.
Well, what if suddenly it seemed that she was wearinglacking decor- go to the store for accessories. There are no limits to fantasy in this case. However, the main thing here is not to overdo it and always remember why you need this or that style of skirt in the first place.
We are waiting for you in the salon"Jasmine"
Project design.
I will familiarize myself with the requirements for the design of the project and do everything that is needed.
Self-esteem.
My skirt turned out very neat and the right size:
The stitches are even, the hem of the fabric is the same on all sides, the size is suitable. Overall, the skirt turned out neat.
I am very pleased that I managed to sew my own skirt and have one more skirt in my wardrobe.
This is a real victory for me!
Project folderA
Theme:Skirt
Gymnasium No. 40
Ekaterinburg, 2009
Introduction
1. General characteristics of the product
2 . Design and modeling
3 . Equipment selection
4 . History of the skirt
5 Styles and trends in fashion
6 . Materials and their properties in accordance with the purpose of the skirt shape
7 . Color and personality
8 . Technological sequence for making a skirt
9 Safety precautions when working with fabric
10 . Work results
Bibliography
Applications
Introduction
Working with fabric, making clothes, doing work with your own hands is one of the means of self-expression that develops creative thinking, which makes it possible to realize your ideas in the manufacture of a specific garment.
The purpose of this work is to develop and implement a project for independently sewing a skirt under the guidance of a teacher. As well as the formation of such qualities as the ability to independently solve creative and technological problems, make informed decisions, apply and use acquired skills, knowledge, skills and information in practice in later life.
The task is to generalize the theoretical knowledge, skills and abilities acquired in the Technology lessons to create a garment (skirt).
The process of manufacturing garments on an industrial scale involves many people of various professions: fashion designer, designer, technologist, sewing equipment operator, clothing demonstrator. These professionals invest a piece of themselves, their individuality, for the people who will wear the things they create. During the lessons there is an opportunity to combine the work of various professions and bring your ideas to life.
To make any garment, certain steps are used. Firstly, this is drawing up a sketch, secondly, cutting out the product, thirdly, completing the tailoring of the product, taking into account the available material and the characteristics of the figure according to an individual plan. At the same time, strict adherence to this scheme: sketch - drawing - design - technology - finished product, helps to obtain practical skills for independently sewing a product - from an idea to a finished product.
1. General characteristics of the product
Yumbka (French jupe) is a piece of clothing covering the lower part of the body. Evolved from a loincloth.
There are many different types of skirts that fall into different styles. These are skirts such as: straight skirt, wedge skirt (Appendix 1); skirt with pleats, skirt with yoke (Appendix 2); gode skirt; half-sun skirt (Appendix 3), etc.
My model is a straight skirt that fits the hips, with darts along the waistline, without a belt. The skirt consists of several identical wedges that widen downward. With an odd number of wedges, the seam with the fastener is located at the back, in the middle of the back, and the slot is processed at the bottom. The bottom of the product is stitched on a sewing machine. A sketch of the model is presented in Appendix 1.
2. Design and modeling
Design is the construction of a drawing of a product pattern. My skirt model consists of three wedge panels. The width of the skirt is calculated based on the circumference of the hips. To draw a drawing of the base of such a skirt, the following measurements are needed:
St (half waist circumference);
Sat (half hip circumference);
Di (product length).
A three-piece skirt can be of different lengths (from mini to maxi, but I chose a medium length - just above the knees) and is made from denser fabrics (for example: gabardine). When calculating the amount of fabric, you need to add 10 cm to the length of the skirt (Di) for processing the upper and lower sections and leveling the cross section. For example: with a fabric width of 140 cm, the length of the skirt will be equal to Di + 10 cm; With fabric width< 140 см. длина пошива юбки будет равна (Ди + 10 см.) х 2
Modeling is the process of changing a pattern drawing in accordance with the selected model. The term "modeling" comes from the word "model", that is, a sample created by artists, fashion designers and designers. Drawing of the base of the skirt (Appendix 4).
3. Equipment selection
In the cutting process I needed: scissors; chalk or soap with a thin edge; tape measure; tailor's pins; cutter's ruler. In the process of basting I needed: chalk; cutter; tracing paper; tailor's pins; basting needle; scissors; threads In the sewing process I needed: a sewing machine; scissors; ripper; chalk; scissors.
4. History of the skirt
Skirts have been known since the dawn of mankind and were worn by both women and men.
In the southern regions, men wore loincloths, skirts and aprons made of palm leaves. The main clothing of the ancient Egyptians was the shenti apron, which consisted of a strip of fabric wrapped around the hips and secured at the waist with a cord. The shenti of commoners and pharaohs differed only in the quality of the fabric; their style remained unchanged. The Assyrians wore a shirt-skirt made of wool, cotton or linen, called a kandi. By the length of this type of clothing one could determine the degree of nobility of its owner. The so-called Gothic skirt appeared in the form of purely women's clothing only in the 15th century. It was from this time that a bodice with side lacing began to be worn separately from the skirt itself in the modern sense. In the 16th century, wealthy women dressed in massive, heavy clothes, which were made from cloth, expensive brocade and velvet fabrics. In the last third of this century, hoops appeared, encircling the waist like a flat wheel. This was achieved by putting a quilted roller under the skirt and a cutter assembled from the fabric of the dress, located at the waist. In the 17th century, women wore twirls - a special kind of “cooper” hoops around the waist. In the 18th century, predominantly smooth skirts with a large number of decorations appeared: frills, flower garlands, lace, draperies. Until the 40s of the 19th century, the skirt was cut from 3 or 5 panels. It stretches at the front and gathers slightly at the sides. The side seams are beveled and go to the back. In the middle of the 19th century, skirts with crinolines appeared, decorated with flounces and teeth, embroidered with braid, galloon and lace. In its second half, the crinoline is replaced by a petticoat with frills and a bustle pillow. At the end of the last century, women were pulled into a corset up to the hips, and the waist smoothly transitions from behind into a draped train, so part of the skirt lies on the floor. At the beginning of the 20th century, with the advent of the “modern” silhouette, the skirt was cut flared at the back with an elongated front. In the 20s, skirts again rose to the knee. Nowadays, various forms of skirts are typical: straight and widened at the bottom, wide and narrow, pleated, wedged, short and long trouser skirts and others.
5. Styles and trends in fashion
In the 70s, fundamental changes occurred in the nature of mass fashion. When determining the fashionability of clothes, they began to talk not only about styles, lengths, but also style. The features of each style are created by the cut, shape, fabric finishing, set of clothing items, as well as various additions, jewelry and cosmetics. Currently the main styles are:
Classical;
Youth;
Sports;
Denim;
Folklore;
My style is classic. It suits my inner state the most. There are things in fashion that, despite all the changes in tastes, preferences, and attachments, remain to a certain extent unchanged. The general opinion recognizes them as excellent, exemplary, exemplary. The proportions of classic style clothing correspond to the natural proportions of the human figure, the lines of shapes and details are simple and laconic.
6 . Materials and their properties in accordanceWithskirt style
I thought through the color scheme of the skirt, choosing black - the color of refined taste, which at all times is at the top of fashion, hiding figure flaws. The beginning of the image is the color, and the beginning of the style is the fabric. It is necessary to take into account the properties of each type of fabric:
Cotton fabrics have a high shrinkage when soaked, which is their main disadvantage. Cotton fabrics are beautiful, iron well, have little fraying and are relatively durable;
Linen fabrics shrink when soaked, wash well, stretch little, crumble, and are difficult to iron, which is the main disadvantage. Relatively durable. They look very nice and neat;
Woolen fabrics wrinkle a little, shrink a lot when soaked, are difficult to iron, and retain their shape well after ironing;
Viscose fabrics are beautiful, high-quality, and shrink when soaked; the structure of these fabrics is very flexible, which makes working with them difficult;
Synthetic fabrics have almost no shrinkage, are durable and elastic.
However, these fabrics react differently to high temperatures and require caution when ironing. My choice is gabardine fabric. Fabric properties: gabardine is a fabric made from the highest grades of carding yarn. The weave is diagonal.
7 . Color and personality
Color plays a huge role in human life. It has a deep emotional impact on a person and is a means of expressiveness in the composition of clothing. Colors are divided into two groups: chromatic and achromatic. Chromatic colors are divided into warm and cold. Warm tones include colors associated with ideas about fire, the sun - red, orange, yellow. Cold tones include colors associated with the feeling of coolness, snow and ice - blue, cyan, violet. I like the black color, which is what I chose. Black color is universal, it goes with almost all colors and a skirt of this color can be combined with any color scheme in clothing. Black color is the color of intuition. Nothing should interfere - complete concentration, purity and spirituality, inspiration, wisdom. For the Japanese, black is the color of joy. Notice how expressive the face of a man in a black robe becomes. Like a picture in a frame, especially the eyes are the mirror of the soul. Contrasts with this color are very effective. In both white and black, you can rejoice and grieve, and it will be natural. Contrasts in clothing, contrasts in life - they allow you to develop a person’s intuition and spiritual qualities.
8. Technological sequence for making a skirt
1. Model development. Sketch.
2. Taking measurements.
3. Constructing a drawing of the base of the skirt.
4. Modeling the base drawing.
5. Preparing the pattern for cutting.
6. Preparing fabric for cutting:
Ironing fabric;
Lay out the patterns on the fabric;
Make shallow patterns;
Set aside seam allowances;
Make a cut.
7. Preparing the product for fitting:
Laying control stitches;
Basting darts;
Basting the middle seam of the back panel of the skirt;
Basting side seams;
Baste the bottom of the product.
8. Carrying out the first fitting:
Elimination of defects;
Mark the length of the product.
9. Processing of the product after fitting on a sewing machine:
Stitching darts;
Stitching side seams;
Processing cuts with a zigzag stitch;
Sewing a zipper into the middle seam of the back panel of the skirt;
Stitching the middle seam of the back panel of the skirt;
Processing the vents in the middle seam of the back panel of the skirt.
10. Processing the bottom edge of the skirt:
Finish the cut with a zigzag stitch;
Sweep and finish the bottom of the product.
13. Evaluation of the finished product.
14. Self-control.
9. Safety precautions when working with fabric
To avoid any accidents during work, you must follow safety rules when working with fabric.
1. Safety requirements before starting work:
Put on overalls, tuck your hair under a headscarf;
Check for rusty needles and pins;
Prepare the workplace for work, remove everything unnecessary;
Make sure that the protective grounding of the body of the electric sewing machine is present and in good condition, and that there is a dielectric mat on the floor near the machine.
2. Safety requirements during operation:
Store needles and pins in a certain place, do not leave them at the workplace;
Do not use rusty needles and pins when working, do not put needles and pins in your mouth;
When working with needles, use a thimble;
Attach patterns and fabrics with the sharp ends of pins in the direction away from you;
Store the scissors in a certain place, place them with their closed ends facing away from you, pass them to each other with the rings forward;
Do not lean close to moving parts of the sewing machine;
Do not hold your fingers near the sewing machine foot to avoid getting pierced by the needle;
Before sewing a product on a sewing machine, make sure there are no pins or needles on the seam line;
Do not bite off the thread with your teeth, but cut it with scissors;
Only one person at a time should work at the machine.
Safety rules when working with an electric iron:
1. Check the serviceability of the plug and insulation of the electrical cord of the iron;
2. Make sure there is a heat-resistant iron stand and a dielectric mat on the floor near the ironing area;
3. Before plugging in the electric iron, stand on a dielectric mat;
4. Turn the electric iron on and off only with dry hands;
5. During short breaks in operation, place the electric iron on a thermally insulating stand;
6. When working, make sure that the hot sole of the iron does not touch the electrical cord;
7. To avoid burning your hands, do not touch the hot metal parts of the iron and do not wet the material with water;
8. To avoid fire, do not leave an electric iron plugged in unattended;
9. Monitor the normal operation of the iron, do not let it overheat;
10. After working with the iron, unplug the cord.
10. Results of work
Need. I made this skirt to wear it at any time of the year, to wear it on holidays. Since my skirt is a classic style, it is comfortable for outdoor activities and various types of work. This skirt is multifunctional.
Self-esteem and economic calculation. I think I did my job quite carefully, and most importantly, I like it. Although it took more time than expected, I am not upset, since I remembered all the stages of the work that I performed very well. And to evaluate, as it seems, the people around you should not, because from the outside you can see all the shortcomings better. I like the result. Because I sewed the skirt myself, no one will have one like it.
Difficulties. Sewing this skirt was more of a pleasure than a task for me, although I had some difficulties in sewing the product. The most difficult part was chalking and sewing the zipper, since this work is completely new to me.
I saw a similar skirt in stores for 460 rubles, my version is more profitable, since I made everything with my own hands. Thus, I saved 305 rubles, and with the remaining amount I have the opportunity to sew 2 more skirts.
In general, I got what I wanted. Now, thanks to my knowledge, I can remake my wardrobe into the best one, according to my taste. If you wear what you like, what is comfortable, then you will feel comfortable and confident, and this is important for every person!
Literature
1. Glozman E.S., Stavrova O.B. and others, ed. Khotuntseva Yu.L. Technology. Technical labor. - Mnemoznina, 2004
Department of Education of the Arzamas Municipal District Administration
Municipal budgetary educational institution
Lomovskaya Secondary School
Creative project
on the topic of:
«»
7th grade student
Karmazina Alena Maksimovna
Supervisor:
technology teacher
Antonova Olga Viktorovna
Project sequence
1. Justification of the problem and needs that have arisen.
2. Brief formulation of the problem.
3.Identification of main parameters and limitations.
4.Research.
5. Drawing up a “thinking scheme”.
6.Development of ideas, options.
7.Analysis of ideas and selection of the optimal option.
8. Selection of fabric, tools, devices, equipment.
9. Rules for safe work during the manufacture of the product.
10. Sequence of product manufacturing.
11.Economic justification.
12. Control, testing.
14.Self-esteem.
Justification of the problem and need that has arisen.
I have a lot of trousers and jeans in my wardrobe. And I decided to sew a skirt to make myself more feminine and attractive, slender and elegant.
Brief statement of the problem.
When I substantiated the problem and need that had arisen, I immediately understood: my task was to model and sew a skirt.
Identifying key parameters and limitations .
What requirements, taking into account my wishes, do I make for my future product?
The skirt should be beautiful, comfortable and meet modern fashion.
The design of the skirt must match the chosen model.
The future update should fit well on the figure.
Any defects that arise must be eliminated while working on the item.
The skirt needs to have a classic style and can be worn with a smart blouse or jacket.
The product must have low cost and be of high quality.
Study
Nowadays, the number of girls wearing skirts has sharply decreased. Their place is taken by “true friends” at any time of the year and under any circumstances - trousers and jeans. And your favorite skirt ends up being thrown away into the closet - until next summer, a suitable event, or forever. Unfair, but natural.
Buying two or three skirts for a woman today is almost a feat. But trousers and jeans are a completely different matter.
Sellers of women's clothing state that recently women come to the store not for any specific item, but to “buy something they like.” And for some reason they “like” skirts less and less. Among the colorful and bright heap of women's clothing, constantly offering new shapes and textures, it is sometimes difficult to single out the lifesaver of a woman's wardrobe - the skirt. Hands are drawn to everything shiny, bright and interesting.
We think about a skirt only in hot weather, when going on a date or deciding to show off a new pair of shoes to our friends, which will be completely invisible under trousers.
I noticed that wearing a skirt made me look slimmer and more attractive, so I decided to sew it.
The history of the skirt.
The history of fashion is a topic in which one can trace a certain time line. We present a timeline with rather unusual content - this is the history of a woman's skirt. In ancient times, ladies considered it the height of indecency if the skirt did not cover the toes of the shoes. Times have changed and today the length of a skirt is a rather democratic thing and depends solely on the taste of the fair sex.
For thousands of years, people saw no need to separate men's and women's clothing. In the emerging civilizations, a kind of skirt - a loincloth, an apron - had almost no differences in gender, age and position. But the evolution of everyday life, moral, aesthetic, ethical and religious ideas have changed clothing.
Among young men of ancient civilizations it remained short, among noble men it lengthened. Women's clothing became more closed and featured a long skirt.
In the 16th century, Spain became the capital of fashion - it was she who established what kind of skirts noble people should wear. This time is characterized by the immense width of skirts, which became so heavy that ladies simply could not lift them. Then a frame made of hoops was invented. Covered with brocade and decorated with jewels, such skirts were very expensive. The skirt of those times was a whole structure; having installed it on the floor, they simply “entered” it, and then fastened it to the corset.
Then the dome-shaped skirt became fashionable. By the middle of the last century, the skirt had already become somewhat simpler. The metal frame was replaced by a crinoline: a linen cover woven with horsehair, which was soon replaced by a wire frame. By the end of the 19th century, the skirt had already become an independent waist product. However, what all these skirts had in common was that they completely covered the legs.
The democratization of life has softened the view of fashion. In 1911, French couturier Paul Poiret released the first model of a skirt-trouser, for which he was anathematized.
Further, a significant time in the history of the skirt was the 1920s, when the Charleston skirt came into fashion. Its main advantage was the hem. It was deliberately made uneven to visually create the impression that the length of the skirt was below the knee. Actually while dancing
the legs were exposed up to the thighs.
In the late 1930s, designer Cristobal Balenciaga created the balloon dress, which was reinterpreted as the balloon skirt in the 1980s.
The flower skirt was created by the famous designer Christian Dior. They were incredibly curvy and fell below the knees.
The year 1964 went down in skirt history thanks to the English designer Mary Quant, who offered the women of the world a new style of skirt - the mini, and this was a real revolution in the fashion world. According to legend, she once found her friend Linda Quaisin while cleaning her apartment, wearing an old skirt cut off with scissors so that the long hem would not interfere with her work. Since then, the length of the new skirts in Mary's store has decreased by several centimeters every month. In the first year, more than 200 thousand English miniskirts were sold in France alone. The fashion designer was awarded the Order for Economic Merit by Queen Elizabeth II of England. It is believed that the Queen was grateful to Mary for the sharp increase in the birth rate in Britain as a result of the appearance of the mini.
Thus, in the 60s, a complete collection of various skirt models was formed, variations of which are also used by today's fashion designers. The length of the skirts varies from just above the ankle to just below the waist.
Drawing up a “thinking scheme”
Cost price.Problem, need.
Fashion, style, silhouette.
Model. Occupational Safety and Health.Skirt.
Textile.
Equipment.Design, modeling.
Tools, devices.
Development of ideas, options.
Model No. 1. Skirt - semi-sun. Zip fastening in the left side seam. The upper section of the skirt is finished with a stitched belt.
Model No. 2. Skirt - year, straight shape. Consists of 6 wedges. Zip fastening in the left side seam. The upper section of the skirt is finished with a stitched belt.
Model No. 3.
The skirt is straight, narrow in shape. There are two darts on the front and back panels. Zip fastening in the left side seam. The upper section of the skirt is finished with a stitched belt.
Analysis of ideas and selection of the optimal option .
Model No. 1, half-sun skirt, very beautiful, light, more suitable for tall and thin girls.
Model No. 2, a godet skirt, will add grace to older girls.
I chose model No. 3, a short, straight-cut skirt that will give my figure a slim look, will be age-appropriate, and can be worn with a blouse and jacket of any style.
Choice of fabric, tools,
devices, equipment.
Types of fabrics.
1) Worsted fabrics - luxurious, compact, shiny: twill, gabardine, twill, ottoman, thin Venetian wool, small bird's eye patterns.
2) Compact soft fabrics with a base - cloth, flannel, thin fabrics made of Saxon wool, castor, velvet.
3) Silk dense fabrics: faille, grosgrain, double-sided satin, georgette, pique.
4) Thin and smooth fabrics made of cotton and linen: twills made from high-twist yarn, thin satins.
5) Dry and compact summer wool: wool crepe, crisp twill. Plastic and duplicated fabrics: rayon and triacetate faille, summer satins.
6) Luxurious silk fabrics: grosgrain, damask, jacquard fabrics with tapestry patterns, brocade, corduroy, shantung.
7) Refined classics: denim, cotton twill, plain weaves, gabardine, jersey fabrics, silk poplin, satin, ottoman
8) Fabrics with handmade finishes: printed designs, embroidery, structured yarns, checks and stripes, needle lace and needle-punched effects.
9) Soft and warm woolen fabrics: shetland, fleecy tweed, fleece, thin felt, low-count yarns.
10) Winter cotton: corduroy, corduroy, pile fabrics, moleskine, chenille.
A. Fabric selection.
I love the color purple: festive and noble. Medium weight crepe fabric is quite suitable for warm weather.
A satin ribbon for finishing to match the color of the fabric will look harmonious with the skirt and give it a romantic feel.
B. Selection of tools, fixtures and equipment
1) Sewing machine
2) Ironing board, iron, spray bottle.
3) Hand needle No. 3, pins, scissors, thimble.
4) Cotton threads No. 50 - for machine work, No. 60 - for hand work.
5) Measuring tape, ruler, chalk.
6) Textbook, workbook, album sheets. Additional materials: paper for drawing and making patterns, fashion magazines.
Safe work rules
during the manufacture of the product
When working with scissors:
Scissors must be well adjusted and sharpened.
Scissors should be stored in a stack.
Place the scissors with the blades closed facing away from you.
Pass the scissors rings to the front.
When working with a hand needle and pins
Needles and pins should be stored in a pincushion.
Wear a thimble when sewing.
A broken needle should be wrapped in paper and thrown away.
You cannot work with rusty needles.
When using an electric sewing machine
When working on a sewing machine, the light should fall from the left side or front directly on the person working. The chair should be in front of the needle.
Hair must be tucked under a headscarf.
Before work, you need to remove foreign objects from the machine platform, check that the needle is secure in the needle bar and that the presser foot is secure.
Before sewing parts, check to see if there are any pins or needles left in the fabric.
While working, do not lean towards moving parts of the sewing machine.
Do not keep your fingers near the foot or the moving needle.
Thickened areas should be stitched at lower speeds.
Do not remove or put on the drive belt while the machine is moving.
When installing the machine needle, bobbin case, or threading the needle, do not keep your foot on the pedal.
Do not leave the machine plugged in unattended.
Turn the plug on and off with dry hands, holding it by the body.
Clean and lubricate the sewing machine only after disconnecting it from the mains.
If a fault is detected in the electrical wire, a spark is knocked out of the motor, or electric shocks occur when touching the body of the sewing machine, immediately disconnect it from the network and inform the teacher about it.
After finishing work, unplug the sewing machine.
When using an electric iron
Before work, check that the cord is in good condition.
Turn the plug on and off with dry hands, holding it by the body.
Make sure that the sole of the iron does not touch the cord.
Place the iron on a soleplate with edges and do not leave it on the product or on the ironing board.
When finished, the iron must be turned off to prevent it from overheating.
Technological sequence of product manufacturing.
1) Taking measurements and drawing a skirt, making paper patterns.
Half waist circumference - 32.
Half hip circumference - 41.
Back length to waist-34.
Skirt length-47.
1.TB=Dts:2=34:2=17.
TN=Di=47 cm.
2.BB¹=Sb+Pb-
41+3 cm.=44 cm.
TT¹=BB¹=NN¹.
3.BB²=Sat:2=
41:2=20.5 cm.
4.Н²O=Т²H²+1 cm.
5. S=(Sat+Pb)-
(ST+PT)=
(41+3)-(32+1)=11 cm.
Т³Т4= S:2=11:2=5.5 cm.
6.BB³=B¹B4=0.2·Sb=41·0.2=8.2.
7.T5T6= S:3=11:3=3.6 cm.
Т7Т8= S:6=11:6=1.8 cm.
B6=B³+2 cm.
B5=B2+1 cm.
B7=6+4 cm.
2) Modeling of the product according to the main straight line drawing
skirts made of colored paper.
3) Preparing the fabric for cutting and cutting the skirt.
4) Preparing the cut details for basting.
5) First fitting of the skirt, correction of any defects.
6) Processing of darts.
7) Wet-heat treatment of darts. Press and press the darts towards the middle of the piece.
8) Connecting the side sections by stitching the parts and processing the sections with a zigzag seam.
9) Wet heat treatment. Ironing the side seams of the skirt.
10) Processing the fastener in the left side seam of the skirt with a hidden braid - a zipper.
11) Processing of the belt, gluing with doublerin.
12) Processing the upper section of the skirt with a stitched belt.
13) Process the bottom edge of the skirt using a hem seam with a closed edge.
14) Wet-heat treatment of the product.
15) Processing the loop and sewing on the button.
16) Finishing the product with satin ribbon embroidery.
17) Final fitting of the skirt. Product demonstration.
Calculation of the cost of materials.
n\n
Name
used
materials
Price
(rub.)
Material consumption per product
Expenses
for materials
(rub.)
Fabric "Crepe"
250 rub.
(1m)
50 cm
(1.5 m fabric width)
125 rub.
Zipper
15 rub.
(1 PC.)
1 PC.
15 rub.
Sewing threads
10 rub.
(1 cat.)
1 reel
10 rub.
Satin ribbon
15 rub.
(1m)
4m.
60 rub.
Total:
210 rub.
Control, testing.
The last stitch is done. I'm very happy! You can demonstrate the product. Smiling, I
I spin in front of the mirror and catch the envious glances of my friends! Everyone wanted to make the same skirt!
Olga Viktorovna praised her for the neat and beautiful work done.
Self-esteem.
My skirt turned out
very neat;
suitable for size and age;
with straight lines;
with unusual rose decoration.
I am very pleased that I managed to sew this model myself, and a fashionable, stylish and romantic skirt appeared in my wardrobe!
For me this is a real victory!
Need a skirt for business meetings - Please! The classic style is perfect for this!
Are you going to the club? The skirt can be decorated with shiny decor or metal fasteners.
Wanted to buy a skirt for going out? - no problem! Light fabrics, interesting styles, a lot of sparkles and openwork inserts.
There are no limits to imagination in this case!
We are waiting for you in the salon "Alyonushka"!
Sequence of the project: Problem encountered. Study. Identification of traditions and history Necessary tools, devices, equipment. Drawing up a “Thinking Scheme” Developing ideas. Options. Sequence of product manufacturing. Open the products. Safety precautions. Technological sequence for making a skirt. Product cost. Evaluation of the work done. Advertising.
I still have some old jeans that I no longer wear. I decided to make a skirt out of them. To make it easier for me to work on the project, I presented all the questions in the form of a thinking diagram. When I substantiated the problem and need that had arisen, I immediately understood: my task was to make a skirt. Justification of the problem that has arisen
The history of fashion is a topic in which one can trace a certain time line. We present a timeline with rather unusual content - this is the history of a woman's skirt. In ancient times, ladies considered it the height of indecency if the skirt did not cover the toes of the shoes. Times have changed and today the length of a skirt is a rather democratic thing and depends solely on the taste of the fair sex. For thousands of years, people saw no need to separate men's and women's clothing. In the emerging civilizations, something like a skirt, loincloth, and apron had almost no differences in gender, age and position. But the evolution of everyday life, moral, aesthetic, ethical and religious ideas have changed clothing. Research, identification of traditions, history.
Sequence of product manufacturing. 1) Taking measurements and drawing a drawing of the skirt. 2) Modeling a skirt according to the main drawing of a straight skirt. 3) Preparing the fabric for cutting and cutting the skirt. 4) Preparing the skirt parts for basting and the skirt for fitting. 5) First fitting of the skirt, correction of any defects. 6) Processing of side cuts. 7) Process the fastener in the left side seam and the skirt with braid. 8) Processing of the belt, the upper section of the skirt with a stitched belt. 9) Finish the bottom edge of the skirt with a closed hem stitch. 10) Final fitting of the skirt.
Technological sequence for manufacturing a skirt Manufacturing a straight skirt requires adherence to a technological sequence. 1. Preparing the cut details for basting. 2. Preparing the skirt for fitting. 3. carrying out fitting. Correction of defects. 4. Processing of darts 5. Connection and processing of side cuts. 6. Finish the fastener in the side seam of the skirt with zipper braid. 7. Processing the belt, processing the upper section of the skirt with a stitched belt. 8. Processing the bottom section of the skirt. 9. Processing the loop and sewing on the button.
Cost.. Zipper 1-10 rub. THREADS blue 1-12 rub. CENTIMETER TAPE 1-6 rub. SAFETY PINS rub. SPENT 46 RUBLES. SPENT FORTY-SIX RUBLES, 00 KOPEKS.
Performance evaluation. I think I did a long and difficult job and got it done. My skirt turned out very neat and true to size: the stitching is even, the hem of the fabric is the same on all sides, the size is appropriate. Overall, the skirt turned out neat. I am very pleased that I managed to sew my own skirt and have one more skirt in my wardrobe. This is a real victory for me!
"Daria" skirt salon-atelier is the exclusive representative of the Siberian brand Elianna Moore. Also, the "Daria" salon is the official representative of famous Siberian brands: Miss Kelly, Kelly Star, Just for you, Collector Salon-atelier "DARYA" We are waiting for you! WWW-Pwk-sitiRu
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